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Yamaha MG82CX is the ideal choice for small music production or live sound applications, offering sonic quality that will satisfy the most critical listener, surprising flexibility and ease-of-use, and some advanced features you normally wouldn t find in this type of compact mixer. The Yamaha MG 82CX weighs only 3-1/2 lbs. and is small enough to pop into your briefcase or shoulder bag and easily take with you anywhere. But the performance you ll get at the studio, club, outdoors, or anywhere you choose to use these fine mixers is far from lightweight.
Inputs & Channels
Flexible 10 Input Channel Configurations The MG 82CX has a total of 8 input channels comprised of two mono microphone/line channels and three stereo line channels. Two of the stereo channels can be used as mono microphone inputs, providing a total of four microphone inputs when necessary. Gain trim covers a wide -60dB - -16dB range for microphone input, and -34dB - +10dB for line input.
Comprehensive, Easy-access Connector PanelTop-mounted input and output connectors make setting up and re-patching your system quick and easy. It features high-quality Neutrik balanced XLR connectors on both mono microphone/line channels and two of the stereo channels. The XLR-equipped stereo channels can accept mono microphone input either via the XLR or phone jack connectors. The remaining stereo channel on the MG82CX provides phone jack and pin jack connectors for compatibility with a wide range of sources. The two mono input channels also feature insert I/O connectors that let you patch external signal processing gear into those channels as required. Separate pin-jack 2TR inputs are provided to accept the output from a CD player or similar stereo source.
Four High-Performance Microphone Preamplifiers with Switchable Phantom Power Microphone preamplifiers are critical in any audio mixer, and a performance bottleneck in many. That s why pros often spend thousands of dollars on just a single channel of microphone pre-amplification. The microphone preamps built into the MG mixers inherit technology from Yamaha s top-line professional consoles, and have been painstakingly designed to deliver superior sonic performance with any dynamic or condenser microphone. All four microphone preamps also feature switchable phantom power so you can take advantage of the natural, extended response of high quality condenser microphones. A single switch turns phantom power on or off for all four channels.
Built-in Channel CompressorsThis advanced feature can be a tremendous advantage in achieving great vocal sound. It can also be used to refine the sound of bass, guitar, and other sources. You won t find built-in channel compression on too many other mixers in this class, but in the MG82CX you have Yamaha s innovative one-knob compression feature on mono input channels 1 and 2. Conventional audio compressors with their threshold, ratio, knee, makeup gain and other controls can be complex and time-consuming to set appropriately for a given source. Yamaha s one-knob compressor eliminates the need for an engineering degree with a single control that lets you simply dial in the amount of compression you want.
3-Band Channel EQ and High-pass Filter Building a truly useful, musical-sounding channel equalizer is no easy task, but Yamaha has decades of experience in building pro consoles to draw on, and you reap the benefits in the MG-series mixers. Channels 1, 2, 3/4, and 5/6 feature full 3-band equalizers with LOW, MID, and HIGH controls, while channels 7/8 has 2-band EQ for smooth equalization of stereo sources.
Master & output section
Effect/Aux Sends The MG82CX mixer has EFFECT send controls on all channels that adjust the level of the signal sent from the corresponding channel to the mixer s internal multi-effect system. The same signal can also be sent to external effect processors via the mixer s EFFECT SEND jack. A RETURN control in the master section adjusts the level of the signal returned from external processors via the RETURN jacks.
Stereo, Control Room, Monitor, and Headphone OutputsLocated above the mixer s master controls, on the convenient easy-access connector panel, are the main stereo output connectors, phone-jack monitor output connectors, pin-jack recording outputs, and a stereo headphone jack. They may be compact, but these mixers offer plenty of connectivity for a wide range of applications
Lightweight, Portable DesignThe MG82CX weighs only 1.6 and 1.5 kilograms. That s small enough to pop into your briefcase or shoulder bag and easily take with you anywhere. But the performance you ll get at the studio, club, outdoors, or anywhere you choose to use these fine mixers is far from lightweight.
Bright Meters for Visual Level MonitoringAccurate visual level monitoring can help you achieve maximum signal-to-noise ratio without distortion. The MG mixer s bright, easy-to-read 12-segment LED meters make it easy to control system levels for optimum overall performance.
MG82CX Built-in SPX Effects There s an astonishing amount of SPX signal processing power packed into the MG82CX s diminutive chassis. It incorporates a versatile digital multi-effect processor that provides a range of reverb, delay, modulation, and distortion programs you can use to refine and define your sound. Each of the 16 effect programs has a number of editable parameters as well as effect on/off switching capability and return level control. If you need to keep both hands free to play an instrument or perform other operations, an optional footswitch can be connected to the mixer s effect footswitch jack for convenient on/off switching.
Easy Operation All switches, controls, and displays have been designed and laid out for intuitive access and smooth, reliable operation with positive tactile and visual feedback.
Yamaha MG82CX 8-Input Mixing Console With Digital Effects Features:
8-input, 2-bus design Built-in DSP for high quality effects 3-band EQ on inputs Microphone stand mountable (requires BMS-10A)
Small Mixers with Serious Performance Whether you're only mixing one microphone with a stereo source for the web, or multiple microphones and line sources for a live show, you want the highest performance, flexibility, and reliability available. Yamaha's MG-series mixers cover a wide range of applications from solo home recording to complex live sound with no compromises in sonic quality, processing versatility, or dependability. These new additions to the MG line-up feature the same compact, lightweight design as the preceding models, and incorporate the latest generation of specially-selected components for further refined performance and audio precision. They also now feature Yamaha's innovative one-knob compressor for built-in dynamics control that further eliminates the need for external equipment and potentially troublesome connections. If you need a convenient analog mixer that can handle from 8 and 12 input sources and deliver pro-level sound, plus top-quality SPX effects in the "CX" models, you're looking in the right place.
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MG82CX |
MG124CX |
MG166CX |
Mic/Line inputs |
4 |
6 |
10 |
Line inputs |
2 mono + 4 stereo |
4 mono + 4 stereo |
8 mono + 4 stereo |
Mixer input channels |
8 |
12 |
16 |
Group busses |
- |
2 |
4 |
AUX busses |
1 (Effect send) |
2 (Incl. 1x Effect send) |
3 (Incl. 1x Effect send) |
Main busses |
Stereo |
Stereo |
Stereo |
Total harmonic distortion (THD+N) |
Less than 0.1%, 20Hz-20kHz |
Frequency response |
0, +1, -3dB , 20Hz-20kHz |
Hum and noise level |
Equivalent input noise (EIN): -128dBu Residual output noise: -100dBu |
Equivalent input noise (EIN): -128dBu Residual output noise: -98dBu |
Crosstalk (1kHz) |
-70dB |
Power supply adaptor |
PA-10 AC adaptor (AC38VCT, 0.62A) 100V, 120V, 220V, 230V or 240V; 50/60Hz |
PA-20 AC adaptor (AC35VCT, 0.94A) 100V, 120V, 220V, 230V or 240V; 50/60Hz |
PA-30 AC adaptor (AC35VCT, 1.4A) 100V, 120V, 220V, 230V or 240V; 50/60Hz |
Power consumption |
21W |
30W |
35W |
Dimensions (W x H x D, mm) |
256.6 x 62.2 x 302.5 |
346.2 x 86.1 x 436.6 |
478 x 105 x 496 |
Net weight |
1.6kg |
3.2kg |
5.5kg |
Accessories |
Owners manual, AC adaptor |
- Hum and noise level are measured with a 6dB/octave filter @12.7kHz; equivalent to a 20kHz filter with infinite dB/octave attenuation.
MG82CX
Terminal |
Gain |
Actual load impedance |
For use with nominal |
Input level |
Connector |
Sensitivity |
Nominal |
Max. before clip |
CH IN MIC (1, 2) |
-60dB |
3k¥Ø |
50-600¥Ø Mics |
-72dBu |
-60dBu |
-40dBu |
XLR-3-31 type* |
-16dB |
-28dBu |
-16dBu |
+4dBu |
CH IN LINE (1, 2) |
-34dB |
10k¥Ø |
600¥Ø Lines |
-46dBu |
-34dBu |
-14dBu |
TRS phone jack* |
+10dB |
- 2dBu |
+10dBu |
+30dBu |
ST CH MIC IN (3/4, 5/6) |
-60dB |
3k¥Ø |
50-600¥Ø Mics |
-72dBu |
-60dBu |
-40dBu |
XLR-3-31 type* |
-16dB |
-28dBu |
-16dBu |
-6dBu |
ST CH LINE IN (3/4, 5/6) |
-34dB |
10k¥Ø |
600¥Ø Lines |
-46dBu |
-34dBu |
-14dBu |
Phone jack** |
+10dB |
- 2dBu |
+10dBu |
+30dBu |
ST CH IN (7/8) |
- |
10k¥Ø |
600¥Ø Lines |
-22dBu |
-10dBu |
+10dBu |
Phone jack**, RCA pin jack** |
CH INSERT IN (1, 2) |
- |
10k¥Ø |
600¥Ø Lines |
-12dBu |
0dBu |
+20dBu |
TRS phone jack** |
RETURN [L,R] |
- |
10k¥Ø |
600¥Ø Lines |
- 8dBu |
+4dBu |
+24dBu |
Phone jack** |
2TR IN [L,R] |
- |
10k¥Ø |
600¥Ø Lines |
-22dBV |
-10dBV |
+10dBV |
RCA pin jack** |
- Sensitivity is the lowest level that will produce the nominal output level when the unit is set to maximum level. - 0dBu : 0.775Vrms; -0dBV : 1Vrms. - * : Balanced; ** : Unbalanced
MG82CX
Terminal |
Actual source impedance |
For use with nominal |
Output level |
Connector |
Nominal |
Max. before clip |
STEREO OUT [L,R] |
150¥Ø |
10k¥Ø Lines |
+4dBu |
+20dBu |
TRS phone jack*** |
EFFECT SEND |
150¥Ø |
10k¥Ø Lines |
+4dBu |
+20dBu |
TRS phone jack*** |
CH INSERT OUT (1-2) |
75¥Ø |
10k¥Ø Lines |
0dBu |
+20dBu |
TRS phone jack ** |
REC OUT [L, R] |
600¥Ø |
10k¥Ø Lines |
-10dBV |
+10dBV |
RCA pin jack** |
MONITOR OUT [L, R] |
150¥Ø |
10k¥Ø Lines |
+4dBu |
+20dBu |
Phone jack*** |
PHONES OUT |
100¥Ø |
40k¥Ø Lines |
3mW |
75mW |
Stereo phone jack** |
- 0dBu : 0.775Vrms; -0dBV : 1Vrms. - * : Balanced; ** : Unbalanced; *** : Impedance balanced
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