[Yamaha] MG102C [전화문의]

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[Yamaha] MG102C [전화문의]

제조사	:	YAMAHA
상품코드	:	MG102C

MG102C is the ideal choice for small music production or live sound applications, offering sonic quality that will satisfy the most critical listener, surprising flexibility and ease-of-use, and some advanced features you normally wouldn't find in this type of compact mixer.

Inputs & Channels

Flexible 10-Input Channel Configurations
The Yamaha MG102C has a total of 10 input channels comprised of two mono microphone/line channels and four stereo line channels. The stereo channel can be used as mono microphone inputs, providing a total of four microphone inputs when necessary. Gain trim covers a wide -60dB - -16dB range for microphone input, and -34dB - +10dB for line input.

Comprehensive, Easy-access Connector Panel
Top-mounted input and output connectors make setting up and re-patching your system quick and easy. It feature high-quality Neutrik balanced XLR connectors on both mono microphone/line channels and two of the stereo channels. The XLR-equipped stereo channels can accept mono microphone input either via the XLR or phone jack connectors. The remaining two stereo channels on the Yamaha MG 102C provide phone jack and pin jack connectors for compatibility with a wide range of sources. The two mono input channels also feature insert I/O connectors that let you patch external signal processing gear into those channels as required. Separate pin-jack 2TR inputs are provided to accept the output from a CD player or similar stereo source.

Four High-Performance Microphone Preamplifiers with Switchable Phantom Power
Microphone preamplifiers are critical in any mixer, and a performance bottleneck in many. That's why pros often spend thousands of dollars on just a single channel of microphone pre-amplification. The microphone preamps built into the MG mixers inherit technology from Yamaha's top-line professional consoles, and have been painstakingly designed to deliver superior sonic performance with any dynamic or condenser microphone. All four microphone preamps also feature switchable phantom power so you can take advantage of the natural, extended response of high quality condenser microphones. A single switch turns phantom power on or off for all four channels.

Built-in Channel Compressors
This advanced feature can be a tremendous advantage in achieving great vocal sound. It can also be used to refine the sound of bass, guitar, and other sources. You won't find built-in channel compression on too many other mixers in this class, but in the MG 102C mixer you have Yamaha's innovative one-knob compression feature on mono input channels 1 and 2. Conventional audio compressors with their threshold, ratio, knee, makeup gain and other controls can be complex and time-consuming to set appropriately for a given source. Yamaha's one-knob compressor eliminates the need for an engineering degree with a single control that lets you simply dial in the amount of compression you want.

3-band Channel EQ and High-pass Filter
Building a truly useful, musical-sounding channel equalizer is no easy task, but Yamaha has decades of experience in building pro consoles to draw on, and you reap the benefits in the MG-series mixers. Channels 1, 2, 3/4, and 5/6 feature full 3-band equalizers with LOW, MID, and HIGH controls, while channels 7/8 and 9/10 have 2-band EQ for smooth equalization of stereo sources.

Master & output section

Effect/Aux Sends
The MG102C has AUX send controls on all channels, and these adjust the level of the signal sent from the corresponding channel to the AUX SEND jack that can be used to feed external effects or a monitor system. A RETURN control in the master section of both models adjusts the level of the signal returned from external processors via the RETURN jacks.

Stereo, Control Room, Monitor, and Headphone Outputs
Located above the audio mixer's master controls, on the convenient easy-access connector panel, are the main stereo output connectors, phone-jack monitor output connectors, pin-jack recording outputs, and a stereo headphone jack. They may be compact, but these mixers offer plenty of connectivity for a wide range of applications

Lightweight, Portable Design
The MG102C weighs only 1.6 and 1.5 kilograms. That's small enough to pop into your briefcase or shoulder bag and easily take with you anywhere. But the performance you'll get at the studio, club, outdoors, or anywhere you choose to use these fine mixers is far from lightweight.

Bright Meters for Visual Level Monitoring

Accurate visual level monitoring can help you achieve maximum signal-to-noise ratio without distortion. The MG mixer's bright, easy-to-read 12-segment LED meters make it easy to control system levels for optimum overall performance.

Easy Operation
All switches, controls, and displays have been designed and laid out for intuitive access and smooth, reliable operation with positive tactile and visual feedback.

Yamaha MG102C 10-Input Mixing Console Features:

10-input, 2-bus design
2 channels of single-knob compression
3-band EQ on inputs
Microphone stand mountable (requires BMS-10A)

Small Mixers with Serious Performance
Whether you're only mixing one microphone with a stereo source for the web, or multiple microphones and line sources for a live show, you want the highest performance, flexibility, and reliability available. Yamaha's MG-series mixers cover a wide range of applications from solo home recording to complex live sound with no compromises in sonic quality, processing versatility, or dependability. These new additions to the MG line-up feature the same compact, lightweight design as the preceding models, and incorporate the latest generation of specially-selected components for further refined performance and audio precision. They also now feature Yamaha's innovative one-knob compressor for built-in dynamics control that further eliminates the need for external equipment and potentially troublesome connections. If you need a convenient analog mixer that can handle from 8 and 12 input sources and deliver pro-level sound, plus top-quality SPX effects in the "CX" models, you're looking in the right place.


	MG102C	MG124C	MG166C	MG206C
Mic/Line inputs	4	6	10	16
Line inputs	2 mono + 4 stereo	4 mono + 4 stereo	8 mono + 4 stereo	12 mono + 4 stereo
Mixer input channels	10	12	16	20
Group busses	-	2	4	4
AUX busses	2	2	3	4
Main busses	Stereo	Stereo	Stereo	Stereo
Total harmonic distortion (THD+N)	Less than 0.1%, 20Hz-20kHz
Frequency response	0, +1, -3dB , 20Hz-20kHz
Hum and noise level	Equivalent input noise (EIN): -128dBu Residual output noise: -100dBu	Equivalent input noise (EIN): -128dBu Residual output noise: -98dBu
Crosstalk (1kHz)	-70dB
Power supply adaptor	PA-10 AC adaptor (AC38VCT, 0.62A) 100V, 120V, 220V, 230V or 240V; 50/60Hz	PA-20 AC adaptor (AC35VCT, 0.94A) 100V, 120V, 220V, 230V or 240V; 50/60Hz	PA-30 AC adaptor (AC35VCT, 1.4A) 100V, 120V, 220V, 230V or 240V; 50/60Hz	PA-30 AC adaptor (AC35VCT, 1.4A) 100V, 120V, 220V, 230V or 240V; 50/60Hz
Power consumption	21W	30W	30W	40W
Dimensions (W x H x D, mm)	256.6 x 62.2 x 302.5	346.2 x 86.1 x 436.6	478 x 105 x 496	478 x 105 x 496
Net weight	1.5kg	3.0kg	5.3kg	6.0kg
Accessories	Owners manual, AC adaptor

- Hum and noise are measured with a 6dB/octave filter @12.7kHz; equivalent to a 20kHz filter with infinite dB/octave attenuation.

MG102C
Terminal	Gain	Actual load impedance	For use with nominal	Input level			Connector
Terminal	Gain	Actual load impedance	For use with nominal	Sensitivity	Nominal	Max. before clip	Connector
CH IN MIC (1, 2)	-60dB	3kΩ	50-600Ω Mics	-72dBu	-60dBu	-40dBu	XLR-3-31 type*
CH IN MIC (1, 2)	-16dB	3kΩ	50-600Ω Mics	-28dBu	-16dBu	+4dBu	XLR-3-31 type*
CH IN LINE (1, 2)	-34dB	10kΩ	600Ω Lines	-46dBu	-34dBu	-14dBu	TRS phone jack*
CH IN LINE (1, 2)	+10dB	10kΩ	600Ω Lines	- 2dBu	+10dBu	+30dBu	TRS phone jack*
ST CH MIC IN (3/4, 5/6)	-60dB	3kΩ	50-600Ω Mics	-72dBu	-60dBu	-40dBu	XLR-3-31 type*
ST CH MIC IN (3/4, 5/6)	-16dB	3kΩ	50-600Ω Mics	-28dBu	-16dBu	-6dBu	XLR-3-31 type*
ST CH LINE IN (3/4, 5/6)	-34dB	10kΩ	600Ω Lines	-46dBu	-34dBu	-14dBu	Phone jack**
ST CH LINE IN (3/4, 5/6)	+10dB	10kΩ	600Ω Lines	- 2dBu	+10dBu	+30dBu	Phone jack**
ST CH IN (7/8, 9/10)	-	10kΩ	600Ω Lines	-22dBu	-10dBu	+10dBu	Phone jack, RCA pin jack
CH INSERT IN (1, 2)	-	10kΩ	600Ω Lines	-12dBu	0dBu	+20dBu	TRS phone jack**
RETURN [L,R]	-	10kΩ	600Ω Lines	- 8dBu	+4dBu	+24dBu	Phone jack**
2TR IN [L,R]	-	10kΩ	600Ω Lines	-22dBV	-10dBV	+10dBV	RCA pin jack**

- Sensitivity is the lowest level that will produce the nominal output level when the unit is set to maximum level.
- 0dBu : 0.775Vrms; -0dBV : 1Vrms.
- * : Balanced; ** : Unbalanced

MG102C
Terminal	Actual source impedance	For use with nominal	Output level		Connector
Terminal	Actual source impedance	For use with nominal	Nominal	Max. before clip	Connector
STEREO OUT [L,R]	150Ω	10kΩ Lines	+4dBu	+20dBu	TRS phone jack***
AUX SEND	150Ω	10kΩ Lines	+4dBu	+20dBu	TRS phone jack***
CH INSERT OUT (1-2)	75Ω	10kΩ Lines	0dBu	+20dBu	TRS phone jack **
REC OUT [L, R]	600Ω	10kΩ Lines	-10dBV	+10dBV	RCA pin jack**
MONITOR OUT [L, R]	150Ω	10kΩ Lines	+4dBu	+20dBu	Phone jack***
PHONES OUT	100Ω	40kΩ Lines	3mW	75mW	Stereo phone jack**

- 0dBu : 0.775Vrms; -0dBV : 1Vrms.
- * : Balanced; ** : Unbalanced; *** : Impedance balanced


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