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For applications requiring up to 12 input channels the Yamaha MG124C offers stunning MG-series sound plus an extra margin of signal-routing versatility. In spite of the fact that it has 12 channels, four buses, and a wealth of advanced features, the MG124C is small and light enough (only 2.9 kilograms) to be tucked under an arm and set up just about anywhere. This remarkable sound mixer provides significant space savings along with huge performance benefits
In spite of the fact that it has 12 channels, four buses, and a wealth of advanced features, the MG124CX is small and light enough (only 2.9 kilograms) to be tucked under an arm and set up just about anywhere. This remarkable sound mixer provides significant space savings along with huge performance benefits.
Inputs & channels
Flexible 12-input Configuration
The MG124C both has a total of 12 input channels - four mono microphone/line inputs and four stereo line inputs. Two of the stereo line inputs can also function as mono microphone inputs, giving you up to six simultaneous mono microphone inputs when needed. Gain trim covers a wide -60dB - -16dB range for microphone input, and -34dB - +10dB for line input.
Comprehensive, Easy-access Connector PanelTop-mounted input and output connectors make setting up and re-patching your system quick and easy. Both models feature high- quality Neutrik balanced XLR connectors on all four mono microphone/line channels and two of the stereo channels. The XLR-equipped stereo channels can accept mono microphone input either via the XLR or phone jack connectors. The remaining stereo channels provide phone jack and pin jack connectors for compatibility with a wide range of sources. The four mono input channels also feature insert I/O connectors that let you patch external signal processing gear into those channels as required. Separate pin-jack 2TR inputs are provided to accept the output from a CD player or similar stereo source.
Six High-Performance Microphone Preamplifiers with Switchable Phantom Power The microphone preamplifiers in any mixer are critical to its overall performance. The microphone preamps built into the MG mixers inherit technology from Yamaha's top-line professional consoles, and have been painstakingly designed to deliver superior sonic performance with any dynamic or condenser microphone. All six microphone preamps feature switchable phantom power so you can take advantage of the natural, extended response of high-quality condenser microphones. A single switch turns phantom power on or off for all microphone channels.
Built-in Channel CompressorsBuilt-in channel dynamics is usually only found on high-end (and very expensive) consoles. The MG 124C features Yamaha's innovative one-knob compression feature on mono input channels 1 through 4. This advanced feature can be a tremendous advantage in achieving great vocal sound. It can also be used to refine the sound of bass, guitar, and other sources. Conventional audio compressors with their threshold, ratio, knee, makeup gain and other controls can be complex and time-consuming to set appropriately for a given source. Yamaha's one-knob compressor eliminates the need for an engineering degree with a single control that lets you simply dial in the amount of compression you want.
3-Band Channel EQ and High-pass Filter Yamaha has decades of experience in building truly useful, musical equalization into successful pro consoles, and the channel equalizers in MG-series mixers carry on without compromise. Channels 1, 2, 3, 4, 5/6, and 7/8 feature full 3-band equalizers with LOW, MID, and HIGH controls, while 9/10 and 11/12 have 2-band EQ for smooth equalization of stereo sources.
Four Buses (Stereo and Group) In addition to the main stereo bus the MG124C mixer features a stereo group bus and outputs that can be used for convenient channel grouping. Assign switches for the stereo and group buses are located next to each channel fader.
Illuminated Channel ON SwitchesAll input channels feature illuminated channel ON switches chat can be used to individually add or remove channels from the mix without having to change the positions of the channel faders. The effect channel on the MG124CX also has its own ON switch.
Master & output section
Effect/Aux Sends The Yamaha MG124C has dual AUX send controls for each channel, one switchable for pre- or post-fader operation, and one fixed for pre-fader send. Master send controls are also provided, as are RETURN level controls for the AUX and STEREO busses.
Stereo, Control Room, Monitor, and Headphone OutputsLocated above the mixer's master controls, on the convenient easy-access connector panel, are the main stereo output connectors, phone-jack monitor output connectors, pin-jack recording outputs, and a stereo headphone jack. These versatile mixers offer plenty of connectivity for a wide range of applications.
Bright 12-segment Meters for Visual Level Monitoring
Accurate visual level monitoring can help you achieve maximum signal-to-noise ratio without distortion. The MG mixer's bright, easy-to-read 12-segment LED meters make it easy to control system levels for optimum overall performance.
MG124CX Built-in SPX Effects The Yamaha MG124CX's includes an astonishing amount of SPX signal processing power. It incorporates a versatile digital multi-effect processor that provides a range of reverb, delay, modulation, and distortion programs you can use to refine and define your sound. Each of the 16 effect programs has a number of editable parameters as well as effect on/off switching capability and return level control. If you need to keep both hands free to play an instrument or perform other operations, an optional footswitch can be connected to the mixer's effect footswitch jack for convenient on/off switching.
Unmatched ease & convenience
Smooth 60-millimeter FadersChannel and master level control is accomplished via reliable, high-performance 60-millimeter linear faders that provide smooth, noise-free operation. An important advantage of linear faders is that they provide a direct visual indication of relative level settings
Easy Operation All switches, controls, and displays have been designed and laid out for intuitive access and smooth, reliable operation with positive tactile and visual feedback.
Yamaha MG124C 12-Input Mixing Console Features:
12-input, 4-bus design 4 channels of single-knob compression 3-band EQ on inputs Illuminated Channel On/Off switches
Yamaha MG124C 12-Input Mixing Console Specifications:
Frequency Response: STEREO OUT, GROUP OUT, EFFECT/AUX (AUX1, 2*), SEND, MONITOR OUT, REC OUT: -3.0 1.0 dB
Total Harmonic Distortion (THD + N) STEREO OUT, +14 dBu @ 20 Hz-20 kHz, Input GAIN Control at minimum : 0.1%
Hum & Noise:
CH INPUT 1-4 MIC, EIN (Equivalent Input Noise): Rs = 150 Ohms, GAIN: maximum: -128 dBu
STEREO OUT & GROUP OUT, STEREO OUT, GROUP Master fader at nominal level and all channels ST and 1-2 switches off: -88 dBu
EFFECT/AUX (AUX1, 2*) SEND, Master EFFECT/AUX (AUX1, 2) control at nominal level and all CH EFFECT/AUX (AUX1, 2) controls at minimum.: -81 dBu
STEREO OUT & GROUP OUT, STEREO, GROUP Master fader and one CH fader at nominal level: -64 dBu
STEREO OUT Residual Output Noise -98 dB
Crosstalk (1 kHz): Adjacent Input CH 1-4: -70 dB; Input to Output STEREO L/R, CH 1-4, PAN: panned hard left or right: -70 dB
Phantom Voltage MIC: + 48V
Input HPF: CH 1-7/8, 80 Hz, 12 dB/oct
Input equalization CH 1-7/8 HIGH: 10 kHz (shelving), MID: 2.5 kHz (peaking), LOW: 100 Hz (shelving); CH 9/10-11/12
IGH: 10 kHz (shelving), LOW: 100 Hz (shelving)
PEAK Indicator: Red LED turns on when post EQ signal (either post MIC HA or post EQ signal for CH 5/6, 7/8) reaches -3 dB below clipping (+17 dBu).
Internal Digital Effect* : 16 PROGRAM, PARAMETER control, Foot Switch (Digital Effect On/Off)
LED Level Meter Pre MONITOR Level: 2 x 12 points LED meter (PEAK, +10, +6, +3, 0, -3, -6, -10, -15, -20, -25, -30 dB), PEAK lights if the signal level reaches 3 dB below the clipping level.
Power Supply Adaptor PA-20: AC 35 VCT, 0.94 A, Cable Length = 3.6 m
Power Consumption: 30 W
Dimensions (l x w x h): 19.5 x 18.5 x 7.3 (346.2 mm x 86.1 mm x 436.6 mm)
Weight: 16.2 lbs ( 3 kg)
|
MG102C |
MG124C |
MG166C |
MG206C |
Mic/Line inputs |
4 |
6 |
10 |
16 |
Line inputs |
2 mono + 4 stereo |
4 mono + 4 stereo |
8 mono + 4 stereo |
12 mono + 4 stereo |
Mixer input channels |
10 |
12 |
16 |
20 |
Group busses |
- |
2 |
4 |
4 |
AUX busses |
2 |
2 |
3 |
4 |
Main busses |
Stereo |
Stereo |
Stereo |
Stereo |
Total harmonic distortion (THD+N) |
Less than 0.1%, 20Hz-20kHz |
Frequency response |
0, +1, -3dB , 20Hz-20kHz |
Hum and noise level |
Equivalent input noise (EIN): -128dBu Residual output noise: -100dBu |
Equivalent input noise (EIN): -128dBu Residual output noise: -98dBu |
Crosstalk (1kHz) |
-70dB |
Power supply adaptor |
PA-10 AC adaptor (AC38VCT, 0.62A) 100V, 120V, 220V, 230V or 240V; 50/60Hz |
PA-20 AC adaptor (AC35VCT, 0.94A) 100V, 120V, 220V, 230V or 240V; 50/60Hz |
PA-30 AC adaptor (AC35VCT, 1.4A) 100V, 120V, 220V, 230V or 240V; 50/60Hz |
PA-30 AC adaptor (AC35VCT, 1.4A) 100V, 120V, 220V, 230V or 240V; 50/60Hz |
Power consumption |
21W |
30W |
30W |
40W |
Dimensions (W x H x D, mm) |
256.6 x 62.2 x 302.5 |
346.2 x 86.1 x 436.6 |
478 x 105 x 496 |
478 x 105 x 496 |
Net weight |
1.5kg |
3.0kg |
5.3kg |
6.0kg |
Accessories |
Owners manual, AC adaptor |
- Hum and noise are measured with a 6dB/octave filter @12.7kHz; equivalent to a 20kHz filter with infinite dB/octave attenuation.
MG124C
Terminal |
Gain |
Actual load impedance |
For use with nominal |
Input level |
Connector |
Sensitivity |
Nominal |
Max. before clip |
CH IN MIC (1-4) |
-60dB |
3k¥Ø |
50-600¥Ø Mics |
-80dBu |
-60dBu |
-40dBu |
XLR-3-31 type* |
-16dB |
-36dBu |
-16dBu |
+4dBu |
CH IN LINE (1-4) |
-34dB |
10k¥Ø |
600¥Ø Lines |
-54dBu |
-34dBu |
-14dBu |
TRS phone jack* |
+10dB |
-10dBu |
+10dBu |
+30dBu |
ST CH MIC IN (5/6,7/8) |
-60dB |
3k¥Ø |
50-600¥Ø Mics |
-80dBu |
-60dBu |
-40dBu |
XLR-3-31 type* |
-16dB |
-36dBu |
-16dBu |
-6dBu |
ST CH LINE IN (5/6,7/8) |
-34dB |
10k¥Ø |
600¥Ø Lines |
-54dBu |
-34dBu |
-14dBu |
Phone jack** |
+10dB |
-10dBu |
+10dBu |
+30dBu |
ST CH IN (9/10,11/12) |
- |
10k¥Ø |
600¥Ø Lines |
-30dBu |
-10dBu |
+10dBu |
Phone jack**, RCA pin jack** |
CH INSERT IN (1-4) |
- |
10k¥Ø |
600¥Ø Lines |
-20dBu |
0dBu |
+20dBu |
TRS phone jack** |
RETURN [L,R] |
- |
10k¥Ø |
600¥Ø Lines |
-12dBu |
+4dBu |
+24dBu |
Phone jack** |
2TR IN [L,R] |
- |
10k¥Ø |
600¥Ø Lines |
-26dBV |
-10dBV |
+10dBV |
RCA pin jack** |
MG124C
Terminal |
Actual source impedance |
For use with nominal |
Output level |
Connector |
Nominal |
Max. before clip |
STEREO OUT [L, R] |
75¥Ø |
600¥Ø Lines |
+4dBu |
+24dBu |
XLR 3-32 type*, TRS phone jack* |
GROUP OUT [1, 2] |
150¥Ø |
10k¥Ø Lines |
+4dBu |
+20dBu |
TRS phone jack*** |
AUX SEND (1, 2) |
150¥Ø |
10k¥Ø Lines |
+4dBu |
+20dBu |
TRS phone jack*** |
CH INSERT OUT (1-4) |
75¥Ø |
10k¥Ø Lines |
0dBu |
+20dBu |
Phone jack** |
REC OUT [L, R] |
600¥Ø |
10k¥Ø Lines |
-10dBV |
+10dBV |
RCA pin jack** |
MONITOR OUT [L, R] |
150¥Ø |
10k¥Ø Lines |
+4dBu |
+20dBu |
TRS phone jack*** |
PHONES OUT |
100¥Ø |
40k¥Ø Lines |
3mW |
75mW |
Stereo phone jack** |
- 0dBu : 0.775Vrms; -0dBV : 1Vrms. - * : Balanced; ** : Unbalanced; *** : Impedance balanced
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